STUDYxCORE


a hot dog mobile careening off a cliff in slow motion


so today i saw some white crust punk juggling on a street corner by my house and that’s not a combination of words that should be together outside of a nyquil-induced fever dream

boyirl:

exitstential

The Fall // Shoulder Pads 1 (1986)

i’ve been going through newer (to me) parts of the fall’s discography recently and its a real trip. this is probably the poppiest sounding song i’ve ever heard mark e. smith mumble nonsensically over

(12 plays)
primary-yellow:

DAVID HOCKNEY
WHITE PORCELAIN, 1985-6
PRIMARY YELLOW

primary-yellow:

DAVID HOCKNEY

WHITE PORCELAIN, 1985-6

PRIMARY YELLOW

(Source: emacradio)

(367 plays)
byunyounggeun:

between winter and spring #423x30.5cm canvas on watercolor

byunyounggeun:

between winter and spring #4
23x30.5cm canvas on watercolor

black-coffee-bonus-cup:

Pete Shelley of the Buzzcocks

black-coffee-bonus-cup:

Pete Shelley of the Buzzcocks

raveneuse:

Göran Hugo Olsson, Angela Davis and Bo Holmström in The Black Power Mixtape, 1967-75.

raveneuse:

Göran Hugo Olsson, Angela Davis and Bo Holmström in The Black Power Mixtape, 1967-75.

Sad Lovers and Giants // Colourless Dream (1982)

(6 plays)

yes it’s me, mary todd lincoln

adrowningwoman:

Steve McQueen - Deadpan (1997)

Turner Prize-winning artist Steve McQueen—now best known for his feature films, Hunger, Shame, and 12 Years a Slave—put himself in the line of fire in Deadpan (1997), a restaging of Buster Keaton’s falling house gag from Steamboat Bill Jr. McQueen does more than remake the stunt; his presence as a black man transforms the work into a commentary on race relations and the precariousness of the black experience. 

"Damage Control: How Artists Destroy to Create Art"

In this society, artists are expected to take over the role of the Court Fools of the past, expected to take payment for providing society with the delusion that there is a special kind of cultural freedom.